Summertime...

Hello, Readers!

It's been a little while since I last posted. Summer is an exciting time in Chicago. My mom compares it to a flower finally blossoming. 

The past few months have been very busy. I moved, began working hard at freelancing, writing fiction and poetry, and so much more. I'm still working, slowly but surely, on the transcriptions. 

To give you some ear candy for the rest of your summer, check out LeVar Burton Reads' Episode 5 "What Does It Mean When a Man Falls from the Sky" by Lesley Nkena Arimah. It's a pretty great story. I can't wait to read more of her work.

It's been an exciting summer for public art. The Floating Museum just docked downtown on the river, which is pretty cool. It opens today, Tuesday the 15th. Krista Franklin, Maria Gaspar, and Edra Soto are three of the many contributing artists. Pretty sweet!

That's all for now!

10th Annual International SWAN Day

Happy 10th Annual International SWAN day! What a feat! There are celebrations going on around the world, celebrating the great work of women artists everywhere. Moreover, I'm excited because it means that my website is also two years old. I launched it on SWAN day 2015. So holy cow!

I'll tell you how I'm celebrating SWAN day. This week, I've spent a lot of time working on my book. I'm reviewing transcripts and editing portions for the book itself. Very exciting. On Thursday, I went to see the amazing Misty Copeland with the Chicago Humanities Festival. Last night, we saw the incredible Regina Spektor at the Chicago Theater. Today, I finished Ann Petry's heartbreaking and beautifully written The Street

And I'm just getting started.

What are you doing to celebrate and support women artists now? Today? Tomorrow?

I can't wait to hear all the amazing ways you all have been supporting women artists.

Backstory

It keeps going... Yesterday, I completed 61 interviews. I had the absolute pleasure of meeting Edra Soto, conceptual artist and co-founder of the amazing gallery The Franklin. She was so incredibly generous with her time, showing me the gallery and walking me through her work. I am so lucky. I have only a few more interviews before it's time to get busy editing the book and working on getting it published. Almost done interviewing...

It's been a while since I've last posted. It's been a very busy few weeks for me. For the fourth year, I've been interviewing people for the Chicago Northside Mini Maker Faire at Schurz High School. For those of you unfamiliar with a maker faire, think DIY with technology in a festival format. People come and talk about the amazing things they do and teach it to you.  Think 3D printers, robots, drones, electronics, crafts, and so much more. Back in 2013, my best friend, Christina Pei, asked me to help interview makers for the faire. I've been so lucky to interview people at makerspaces across Chicago, the STEM Teen Program at the Adler Planetarium, Tinkering Lab at the Chicago Children's Museum, teachers at the Schurz High School, Chicago Public Library YOUMedia and so much more.

It was tricky at first since I hadn't interviewed people before. I had to learn about what people were doing and talk to them either in person or more often on the phone. And I loved it. I realized it was so much fun talking about the amazing things they do. It gave me the confidence to do something like this project. Without this project of Chicago Northside Mini Maker Faire, I really don't know if I would have been able to do all of this. So I want to tip my hat to Christina and the Chicago Northside Mini Maker Faire. 

You can read more about the Faire here (along with many of my interviews): makerfairechicagonorthside.com

The Big Sixty

60 interviews. Sixty interviews. The big sixty. Wow. I feel so lucky and humbled by every single one of those interviews. So many amazing women making incredible artwork here in Chicago. 

This 60th interview was with Melissa Leandro who works in painting, drawing, and textiles. I learned about her work at the recent Chicago Cultural Center show Present Standard curated by Edra Soto and Josue Pellot. It was an incredible show. I"m sorry it closed last week!

The big question: am I done? Well, no. I have a few more interviews that I want to do but I'm very close. June 30th is the cutoff. So there's that.

Anyway, I just wanted to leave a short note. I'm doing a lot for the Chicago Northside Mini Maker Faire right now. You can check out the website where I've done a bunch of interviews with makers: https://makerfairechicagonorthside.com/

That's all for now!

50 Interview Milestone

This week, I'm so happy to announce that I have completed my fiftieth and fifty-first interviews. Over 50 interviews! Wow. What an absolute pleasure. I talked with Olivia Block, sound artist, and Tomeka Reid, cellist and composer this week. I am so honored to have had the chance to talk to them.

I'm so amazed that I have gotten to talk to so many incredible women. I have gotten to explore the city a bit more seeing neighborhoods that I was not familiar with and revisiting old neighborhoods. I've talked to circus performers, a fashion designer, costume designer, painters, performance artists, and so many others who work in the broad spectrum of the arts. I've talked to a diverse crowd of people of different ethnicities, races, birthplaces, ages, and so much more. 

I thank every single of them for taking the time to meet with me and share their stories. I feel very lucky that I live in a city like Chicago with so many active artists in numerous fields. I'm super excited to start editing the book filled with so much talent and heart. Thank you. Thank you thank you. 

*********************************************************************************************************

It's been a busy few weeks. Last weekend was the AAUW's Jane Addams Day at Hull House. It was my third year running the event You can read about how I got involved at my other blog here: http://wp.me/p44HaC-oW

Here is my summary of how the event went itself: http://wp.me/p44HaC-p9

*********************************************************************************************************

As a final treat, Artnet published a list of "20 Emerging Female Artists to Keep on Your Radar." While the list is a bit NY centric, it's still rather neat. I can't wait to check out these women's work. Check the article out here:

https://news.artnet.com/people/20-emerging-female-artists-2015-383411?utm_content=buffera5e84&utm_medium=social&utm_source=facebook.com&utm_campaign=socialmedia

A Year In Review

It’s almost July 2015. That means it’s been almost one year since I started this project. What a year!  As I near the halfway point of the project both in time and interviews, I’m taking the time to reflect on the past 11 months.

It’s been a whirlwind of great conversations. At its core, I’ve been having amazing talks with women in a variety of fields. I’ve talked to painters, circus performers, cartoonists, singers, dancers, and much more. I’m so impressed with all the work that is being done here in Chicago. People are creating such incredible art here in Chicago, pushing so many limits. It makes me even happier to live here in Chicago. I can’t wait to talk to women in the year ahead about their awesome work.

In all my interviews, I always try to ask: “How do you think Chicago has impacted you as an artist?” Most people’s response has been “community.” They talk about how supportive and open the Chicago artistic community has been to them. It’s not easy being an artist in Chicago for sure, but there’s fellow artists who will support you. That’s pretty amazing. Just from working on this project alone, I feel that sense of community. Now I suppose I’m talking about a lot of communities since I’m talking to artists in so many diverse fields. I’ve been so amazed at how so many people have been willing to share their work and time with me. Many have opened up their homes and studios to show me their work. They’ve also shared their networks, recommending that I talk to other artists doing thrilling work. Many of my interviews are with these shared contacts, recommendations, and more.  

As a result, I’ve completed 24 interviews as of June 13, 2015. Originally, I had intended only to do an interview a month. Well, that idea has flown out the window and I’m totally cool with that. I know that I can’t talk to all the artists in Chicago but I’ll try to make a tiny dent in the world. I aim to have 50 interviews by July 2016 but it may surpass that. (I will have to impose a limit though. Time might be that limit).

The project has introduced me to a whole world of events and institutions all across the city. I recently went to my first Chicago Zine Fest and CAKE (Chicago Alternative Comics Expo) and they were so much fun. I can’t wait to go back next year. I’ve been to new galleries throughout the city too. I’ve also been more diligent about reading the newspaper and magazines to find out what is going on. That’s awesome in itself. I know that I’ll be attending even more cultural events around the city, getting to know new spaces and people.

I’m also pretty pleased that the project has taken me all over the city. I’ve been as far north as Skokie and south/ west as Beverly. I’ve spent some time in Logan Square area but I’ve also been in Humboldt Park, Gold Coast, Little Village, and much more. I can’t wait to spend more time exploring new parts of the city. I want this project to be inclusive of all the parts of the city. At the end, I want to create a map to show where I held interviews in Chicago.

One side effect of this project is that I think I’ve gotten bolder at talking to new people. Not just in the sense of talking to the folks who have agreed to participate, but in terms of networking. In high school, I was usually quiet in classrooms; it was often hard for me to articulate my thoughts into spoken words. In our yearbook, we had a section for “Where will they be 10 years later?” and my classmates wrote that I’d be an award winning speaker. Now, I didn’t take this as a slight but rather as encouragement; they thought I had important things to say. Now, I’ve spent the last decade becoming much more comfortable talking in front of rooms. However, it has only been very recently that I have been able to network without breaking into a nervous sweat. I’m not sure why. Maybe this project has made me bolder by virtue of necessity. If I’m going to talk to people about their work, I have to actually talk to them. Now I give my business card out to lots of people. I’ve gotten better at conversing with people than I ever thought I would be. I also cold email artists all the time if I don’t know a contact that can connect me to them. This is such a world away from the girl in high school or even college.

And apparently, I’ll also be reading Moby Dick as a result of the project.

Those are just a few thoughts about this project as it nears its second year.

Huzzah!

Interview with Anne Elizabeth Moore

This past Thursday, I had the pleasure of sitting down with cultural critic Anne Elizabeth Moore. She defies categorization as artist. She has created performance pieces, zines and comics, written articles, edited publications and much more. She's the author of Unmarketable, Cambodian Grrrl: Self-Publishing in Phnom Penh, and more. She was co-editor and co-founder of the late Punk Planet, and much more.

I was quite keen to talk to her about her body of work in Cambodia. She ended up going there to live and work with the first large group of women to go to college in the country. During her time there, she decided to teach them how to make zines, self-published book or magazine, to show them a basic means of self-expression. She taught 32 women how to make zines while learning about their history and culture. The women took to it whole-heartedly and found a use for it. It started a chain reaction. These women went to their homes all over Cambodia and taught their friends and families. It's incredible. She explained that when she returned two years later, people were still making zines in Cambodia led by woman.

We also talked about her work "American Girl Project: Operation Pocket Full of Wishes" in the 2000s. She snuck in some cards in to the store mimicking American Girl produced materials. For this project, she was arrested and escorted out. You can read a full account of it in her zine 
Safe, Legal Abortion Access. I mentioned that it was extremely tempting to recreate the piece since I worked so close the American Girl. However, I was a bit concerned my employer would look poorly on me if I were to get arrested on my lunch break. Maybe in my spare time.  Maybe not. More likely, I'd come up with my own work to critique corporate imaginings of girlhood in the US.

However, she cautioned in our interview about criticisms of corporate culture that: "I don't want to make a career of hating things." Hating something is easy. She wants to support strictures that she believes in. Going deeper into understanding the structures and possibly changing them is much more powerful and interesting.

Rock on. That's just a small snippet of her work and the conversation. Check out her website for her diverse and provocative work: http://anneelizabethmoore.com/