Ten Chicago Women/Fifteen Years

Goodness Gracious! This Friday, November 20th, the exhibition "Ten Chicago Women/Fifteen Years" will open at the Bridgeport Art Center Gallery on the Fourth Floor.

The exhibition notes report: "Artists often work in isolation with no one to offer responses to their work. In order to combat a common sense of isolation, ten Chicago women artists began meeting fifteen years ago to provide honest critiques, encouragement and feedback to each other. The founders, Linda Eisenberg and Elyn Koentopp-Vanek expressed the main objective of the group: to be supportive and constructive and to increase exposure through group shows of their work."

One of the artists and interview participants, Rebecca Wolfram, will be exhibiting several drawings. Here's a blog post from our interview earlier this summer: https://elisa-shoenberger.squarespace.com/blog/2015/5/21/interview-with-rebecca-wolfram

You should visit this exhibition. I can't wait to check out myself.

For more information, read  the website here: http://bridgeportart.com/portfolio/ten-chicago-women-fifteen-years/#.Vkv_HGSrQdA

Upcoming Events

Exciting events around town!

I am pleased to announce that AAUW will be hosting its third Jane Addams Day Celebration at Hull House (Resident's Dining Hall) staring performer/songwriter Kristin Lems on December 5th at 2pm.   She will share stories about her family’s experiences with Jane Addams and perform songs written about the life of
Jane Addams. Join us for a historic Jane Addams’ speech and song! The event will
conclude with lemonade and cookies. Come and celebrate this amazing woman with  AAUW! 

For more information check out the Facebook invite: https://www.facebook.com/events/1634847263465352/

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Also Kristin Lems has a new CD out: You, Me, and All of the Above. It has great songs including a song about Captain Streeter and Carl the Guinea Hen. Check it out here: 

http://www.kristinlems.com/you_me_and_all_of_the_above1/

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Jamie O'Reilly, performer, producer, and huge supporter of this project, has re-released her incredible CD I Know Where I am Going. Check it out here:

 http://www.cdbaby.com/cd/jamieoreilly5

There are two upcoming shows with the CD release: 

On Thursday, November 19th, at the Veteran's Room in Oak Park, IL, Jamie O'Reilly, Peter Swanson, Michael Smith, and reader Belinda Bremner will perform "I Know Where I'm Going," an evening of Irish Songs and Poetry.
More information:  http://oppl.org/events/friends-library-folk-music-concert-jamie-oreilly?ajax=1

On Wednesday, December 2nd, there will be a Christmas Show at Chief O’Neill’s PubWith Jamie O’Reilly. Peter Swenson, Michael Smith, Belinda Bremner and surprise guests!
More information at: http:chiefoneillspub.com

For more information about these events, check out Jamie O'Reilly's website: http://www.jamieoreilly.com/jamies-november-e-news-concerts-1119-122-radio-cds/

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Mary Ellen Croteau is also having a solo show at the Harold Washington Library 8th floor gallery starting November 13th until January 15th. Check out more information: http://www.maryellencroteau.net/mec_website/Whats_New.html

 

A Beautiful Summer Day Talk with Zsofia Otvos

I recently completed the 25th interview with Zsofia Otvos in mid-June. Zsofia Otvos is a painter and makeup artist extraordinaire, who has worked on movies like Divergent, TV shows like Sirens, and as the resident makeup artist for Chicago theater Trap Door Theatre.

I asked how she would define herself as an artist. She explained: “I call myself a character maker. What I’m most interested in both makeup and painting is creating characters, bringing something from nothing, and making it happen. In terms of makeup, that might be part of the storytelling, maybe there’s an arch in the story when the character becomes super happy, then gets very depressed, so on. Maybe I can alter his foundation, maybe his eyebrows I can manipulate. I like to do those subtle differences that will read slightly differently on camera.”

“In my visual art, in my paintings, my process and ideas are different because obviously they’re coming from my own inspirations. Lately, they are spur of the moment experiences. So that might be: I saw someone at the airport, or a coffee shop, wherever I may have seen them, I often sketch them right away. That may or may not become an actual painting. Once they do, I start recreating some of the characteristics in forms of sketches: Maybe the body position was very particular that I need capture or maybe their hairstyle, something that is very characteristic. The features are absolutely not important to me. The features are the result of something else. And it’s really the spirit of the experience that I am interested in capturing. That’s how I create character. I’m just a character maker.”

Later we talked about her work at the Trap Door Theater. She explained, “These tiny things can really be a big impact...I feel I don’t actually design the makeup. I just put on what’s missing. Because the [actors] are so expressive in their movement, I don’t feel like I do it; I’m just putting on what is 'already there' thru their expression. The [actors] are not visual artists, so they don’t see what is not there…..“How can you not see it?” (I wonder)…we just have different tools. They use their body and voice… for the same end I use colors and shapes. I’m not doing much at all... I feel like a bit of a cheater.  So, it is a lovely moment for me, when, for example, actor Marzena Bukowska said, ‘I got my character now.’ How are you telling me that? Your character is already so finished, so complete.

“But that’s a very good experience and reminder that my job is to help the actors arrive to who they need to be, whatever that is. It’s not so such about the makeup, their facial expression and body movement will always be more expressive than my work. But sometimes when the actor looks in a mirror, it is my work that may help them get to that point. An ignition key.”

You’ll have to stay tuned for the rest of this wonderful interview.

Check out her fine art: www.zsofiaotvos.com,

Check out her work in makeup: www.madeupfaces.com

 

Julia Haw: Her Philosophy and Chicago

Last week, we talked to Julia Haw about the proposed closure of the Illinois Art Museums. What a troubling time. This week, we are going to take a little peek at the interview that we had in December.

Back in December, I asked her about her work philosophy. She explained: “A lot of people are looking for a simple solution and a quick fix, or how to get from A to B very quickly. But it’s really about working (a lot) and it’s about steadiness. It’s about longevity. And what I’m really interested in, in being an artist, is the idea of longevity. I don’t want to be a flash pan artist or someone that just created a really great body of work and then was forgotten for many years. I’m interested in creating good works that are timeless and that will last in a historical context. So that’s number one.

“I’m also extremely supportive of the community. I love having these conversations. I get a lot out of it. So, yeah, I’m into supporting community. Back in the day of This is not the Studio (run by Claire Molek, Erin Babbin and Nick Jirasek on Marshfield Ave), we saw that in action, right?  It was just one of the coolest places in Chicago bringing together artists from all periods in their careers, working in all different media. There were conversations, dinners, fantastic provoking shows and so much fun. I think there are more spaces like that now - at that time, perhaps I just wasn’t as familiar with the artistic landscape, but the studio was really, really cool. It was kind of like what you’re doing, bridging all these different artistic modes of expression.”

I asked her more specifically about how Chicago has shaped her as artist. Julia told me: “A huge part of my work is activating conversation and bringing the public forum back. Artists in the 1920s and shit, they’d go to a bar in New York and brawl with each other and yell. Robert Rauschenberg was swinging a punch and it was just like: ‘Oh God, like that’s so spirited.’ I feel that energy in Chicago. Yeah, so I think that that’s definitely shaped at least the spirit of my work. It’s caused me not to be afraid, to really put something out there and just be like: ‘Fuck it, I’m going to do this whether you like it or not.’”

Julia Haw added an update about her exhibition at the IL State Museum in Lockport:

She told me: "Since the museum is still technically open (with no insurances to protect the works), there will be a one night only party and brand new painting reveal in response to Rauner's proposed budget cuts, July 30th, IL State Museum Lockport,6-10PM (music and drinks provided)  LONG LIVE CULTURE!!"

So check out the event on July 30th!

Check out her work here: http://www.juliahaw.com/

And if you haven't already, please consider signing the petition to save the Illinois Art Museums:  http://petitions.moveon.org/sign/governor-rauner-dont

Julia Haw


Interview with Rebecca Wolfram

This past week, I met Rebecca Wolfram, a prolific painter and curator of the “The Museum of Objects Left on the Sidewalk.” Several of her paintings depict a variety of violence perpetrated by humans against one another and even against animals. I asked her about this choice to depict these activities. She told me this absolutely incredible story about the origin of her series “We Are Capable People,” that depicts the dark side of human activity. She told me: “ “One night, I was walking along and there were these two guys. One was down on the sidewalk and the other one was over him ready to smash him. They were fighting... And so, I kinda froze and I said something like: ‘Is everything okay?’ trying to intervene a little bit. The one who was ready to pop the other one, he turned to me, very savage, he looked very bestial and savage, almost drooling, and he says, ‘We are capable people here! We don’t need your help. We are capable people here.’ Okay...So I backed off. But I loved what he said. That’s what it means to me. We are capable people. Yeah, what are we capable of?” What an incredible story.

We also talked about her series of drawings and paintings of dead rats. She told me that “People really respond to them. Some people hate them.” The inspiration behind the series originated when she came across a dead rat in the snow, “almost iridescent cause it was rotting.” It struck her that this was a living creature so she drew a picture of it. “People treat this rat like it’s garbage. They don’t treat all animals like garbage. It’s certain rats, especially rats, are just treated like garbage. People hate rats. ‘Just kill them. Get rid of them.’ Disrespect them completely. Yet, it’s common knowledge that rats are very intelligent…” The distinction between rats and other reviled creatures and beloved creatures seems so arbitrary. When she sees a dead rat, she feels compelled doing a drawing of in her sketchbook. This remarkable series of painting and drawings is giving dignity to the animal and its death.

Inside her home, Rebecca Wolfram also showed me some incredible wooden sculptures that she built from found wood. One was human sized person that originated when she found a discarded accordion folder. Now it serves as the guts of this beautifully painted sculpture. The outside is painted like skin, while the inside shows the internal organs.  She showed me a painted wooden dog on a skateboard that had began when she found a piece of wood that looked like a dog’s head. Very neat!

I asked about “The Museum of Objects Left on the Sidewalk.” The museum started in 2005 when she found some items to display. She found it irritating to see garbage just thrown on the street. She had the inspiration to put exhibits of the things found on the streets. She aptly said, “When you make something an exhibit, suddenly it takes on a quality of specialness.” She found some a headboard from a bed from the alley and put it on the fence and put exhibits up. She told me, “It was a big hit.” People in the neighborhood would contribute things; she made labels with her next door neighbor's’ kids. Over time, things began to decay. A few years ago, she and a neighbor built some solid shelves that are still there today.

Wolfram explained that the museum has become sort of a landmark in the neighborhood. She was surprised that everyone knew about the museum. Initially, she didn’t think of it as art project. She thought of it as “a museum, a community museum of stuff on the sidewalk.” Some of the more unusual things left included a dead lizard, a beautiful wooden box of sea shells and polished glass, and a shark made from hanger wire. Wolfram also talked about how proud people are about the things they contribute to the museum.A wooden plaque of a beautiful bird was one day left in the museum. Later, she got a visit from two ladies who wanted her to know that they had left it for the museum. People take a special pride in it.

At the end of my visit, I got a lovely guided tour of the Museum. She showed me a man’s grey/brown shoe that had been in the museum for awhile. Then it disappeared one day and then reappeared. There was a small drawing that she had done of the shoe above it. Two boots had dirt and plants growing out of them. The two Frida Kahlo paintings that had been placed there a week ago had disappeared since the morning. Alas. That’s how the museum goes. I decided that I had to contribute something to the Museum. I had a John Hancock Swizzle stick in my bag that I offered up as tribute to this wonderful museum.

Check out  her work at her website: http://benigngirl.org/

The Museum of Objects Left on the Sidewalk