Upcoming Events

A few wonderful things going on in Chicago in the next few weeks.

Raks Geek, founded by  Dawn Xiana Moon, has a show this Friday at 8pm at the Uptown Underground. The theme is "Monsters + Marvels." Their website notes about the show: 

"Join bellydancing Wookiees, firespinning superheroes, and hooping Borg for an unforgettable night of nerdiness and dancing! Raks Geek presents a brand-new show inspired by the X-Men, Star Wars, Silent Hill, Star Trek, Avengers, and more. Join in the geekery as we light things on fire!" For more information: http://raksgeek.com/#upcoming

Visual artist and make up artist Zsófia Ötvös is having a show at the Elephant Room Gallery on Sunday at 3pm. She is going "to introduce the Irma May series as never before..." 

Check out more information at https://www.facebook.com/events/980284312082390/

Edra Soto's piece "GRAFT" is on display at the Arts Club of Chicago as part of the Centennial Open House. For more information, check out: http://www.artsclubchicago.org/the-arts-club-of-chicago-at-100-open-house/

That's all for now!

Upcoming Art Events!

Lots of exciting events coming up!

Gabriella Boros will have several pieces up in several shows in Chicagoland and Milwaukee. Her piece “Crowding Out the Gift Horse” is in a show at Nixie Gallery in Skokie, 7925 Lincoln (just south of Oakton Street). The show opened on the 23rd and will end on February 12th. Check out the gallery website for more information: http://www.nixiegallery.com

Gabriella Boros has work in another show at the Union Street Gallery in Chicago Heights, 1527 Otto Boulevard as part of the Chicago Printmakers Collaborative Show. The opening is Friday the 29th from 6 to 9. Check out more information here: http://www.unionstreetgallery.org/

She has three prints from “Going Viral” in the show “Intimate Systems” at 100state, 30 West Mifflin, 6th floor, Madison, Wisconsin. The show opens on February 6th from 1-5. For more information, check out: http://100state.com/

Tomeka Reid, cellist extraordinaire, will be performing on February 17th at 7pm at the Mary & Leigh Block Museum of Arts in Evanston as part of A Feast of Astonishments, an exhibition about Charlotte Moorman, “a groundbreaking, rule-bending artist, musician, and advocate for the experimental art of her time.” It should be an amazing performance and exhibition. Check out more information: http://www.blockmuseum.northwestern.edu/muse/Participate/2016/charlotte-moorman-opening.html

Hull House Museum still has “Into Body Into Wall” exhibit up featuring The 96 Acres Project with Maria Gaspar. It’s up until February 29th. The project “uses the wall of Cook County Jail to look at architectures of power and incarceration. The project investigates the wall as a social, political, psychological and physical frame, imagines and reflects on new alternatives, and grapples with personal stories from both sides of the wall.” Check out more information here: http://www.hullhousemuseum.org/intobody/

Honey Pot Performance with Meida Teresa McNeal  will be presented /Shift/: First Annual Benefit Gala to support future performances of HPP on February 27th. The event will take place at Stony Island Arts Bank at 6:30pm. Check out the website: http://honeypotperformance.virb.com/

Conversation with Krista Franklin

I met with the incredible Krista Franklin back in July. I asked Krista Franklin to describe her work. She described it as  “pretty diverse. Visual artist, poet, sometimes performer (mostly around the poetry or poetics, papermaker...visual art includes papermaking, collage, letterpress, [and] sometimes bookmaking every blue moon.” She is also the writer of the chapbook Study of Love & Black Body (Willow Books), and most recently Killing Floor (Amparan). She also held a position of artist-in-residence with Arts and Public Life/Center for the Study of Race, Politics and Culture at University of Chicago’s Arts Incubator.

I asked her what drew her to collage in particular. She explained: “I can draw but I’m not the best drawer. So it was a natural response for me to use magazines to get the most realistic image that I wanted to have. So that’s what led me to it; the idea [of having] things look as realistic as possible, [but] not being able to render them myself. So [it was about] figuring out ways to snatch the ideas I needed in a direct kind of way.”

I asked about her use of media, including photos. She told me, “That’s evolved over time. My initial impulse was to have a realistic image…I have before used a lot of antique photographs in my work especially in the early phases…I was using a great deal of antique photographs of people of color... As well as popular culture figures who have passed away that I had [a] deep appreciation and admiration of… I was using their iconic faces or iconic histories to pull at things and to herald them… Much of my early work especially dealt with pulling from the ideas and theories of the Black Arts Movement in particular, and how people of color (specifically black people in this country and across the globe) have been represented in very insidious ways. What I sought to do with my art, particularly visual art in this case, was to create images that would resist those ideas, that were antagonistic [to] those ideas, that showed us the way I saw us: as full, human, beautiful, complex, and worthy [of being] loved…

We Wear the Mask is a recent series for me, particularly about women...There’s a lot of things happening... I became very interested in Afro-Surrealism in the past three years...I wanted to push the envelope of my collage [practice] into the surreal realm, to play with the idea of disruption and [the] idea of the full imagined space from the weird way my brain works. I was thinking [about] a lot of ways in which women are seen as dangerous, gold diggers, dangerous creatures. I wanted to pull and play with some of those concepts, blending the female body with animal, plant, other organic spaces in the world, fusing those all together. The ideas that I was getting at had to do with negative perceptions placed on women by history, which ultimately lead to misogyny and violence against us, seeing us as somehow tricky or slick. I wanted to push the envelope about that around the [woman] body.

"So the title, of course, is taken from [the] Paul Lawrence Dunbar poem, [a] very famous poet. He’s from the same city I was born (Dayton, OH). His house is there, it’s a historical monument. So also [I’m] tipping my hat to Paul Lawrence Dunbar’s [idea] of wearing masks to survive in the world as a person of color... and [how it] plays out as a woman of color, as a woman in the world in my experience.”

That’s just a small section of a wonderful interview. To check out Krista Franklin’s work, go to her website: http://www.kristafranklin.com/

Julia Haw: Art and Politics

Back in December, I interviewed Julia Haw, painter extraordinaire. She is one of many artists who are impacted by Governor Rauner’s plan to close the Illinois Art Museums as of July 1st. She showed her incredible series The Western Veil at the Chicago branch of the Illinois Art Museum and currently showing the series at the Lockport branch.

I asked her about how she will be impacted with this threatened closure of the Illinois Art Museums.

How has the threat of the closure of all the Illinois State Museums affected you? What will happen to your exhibition in Lockport?

Julia: The state of Illinois will not be covering the insurances to protect the artwork, starting July 1st. I am unsure at this time if this decision is temporary or the museums will have to find private protection. (Confusing since I found this on Reboot: “The Department will begin the process to suspend operations and close the five state museums to visitors. The state will continue to maintain and secure the museums to protect the artifacts and exhibits.” I don’t know how the museum plans to protect the artifacts without proper insurances, but for this particular reason all thirty works of mine currently hanging will be re-delivered to me the week of June 22nd. My show, a traveling exhibition titled The Western Veil was slated to be in the Lockport Illinois State Museum until mid August, with a party and book release July 31st. The book, to be published by Perch Press, is now on hold as well, as the museum had a private resource who was going to fund it, whom will not give funds until things are settled. I don’t know if the museums are going to close or remain open, but there is definitely a petition to sign!

As for why..... “House Speaker Mike Madigan, Senate President John Cullerton and their caucuses passed a budget for the 2016 fiscal year beginning July 1 that is nearly $4 billion in the hole,” said the governor’s office. (Chicago Sun Times) The democratic budget set for 2016 has been deemed “phony,” thus Rauner is making these cuts to save $400 million. “The governor has declared all-out war on the citizens of the state of Illinois because he’s peeved with the Democratic majorities in the House and Senate,” Lang said, adding: “It’s a path that’s carefully chosen to strike at the values and principles of what the majority of the members of the Legislature believe in.” (Chicago Sun Times)

On February 18th, in the 2016 Illinois Operating Budget Book, Tim Nuding, Director of the Governor’s Office of Management and Budget states, “The morale of our citizens is low, and many Illinoisans are down on Illinois. A 2014 Gallup poll found that 1 in 4 Illinois citizens believe our state is the worst state to live in - by far the highest percentage of any other state in the country. Only 3 percent of Illinoisans said ours was the best state in which to live - the lowest of any state. About half of Illinoisans say they would leave Illinois if they could - that’s the highest percentage of any other state. United Van Lines’ 2014 National Movers Study lists Illinois as the third highest outbound state, meaning that more people are moving out of Illinois than out of 47 other states. Illinoisans have the lowest trust in their state government, with only 28 percent of respondents saying they trust their government while the national figure is almost 60 percent.” (I wonder why!!)

Please see the FULL 2016 Budget Book here. (http://www.scribd.com/doc/262704484/Fy-2016-Illinois-Operating-Budget-Book) (Notice the Illinois Arts Council on here as well. I know many artist friends spent hours applying for grants through the council only to receive a message like this:

“Dear Julia Haw,

The Illinois Arts Council Agency was not able to proceed with the review of the application you submitted for a fellowship in Visual Arts. Unfortunately, funds appropriated for the program are no longer available.On behalf of the Council and staff of the Illinois Arts Council Agency, thank you for your interest in participating in the programs and services of this State agency.

Sincerely,

Shirley R. Madigan and Tatiana Gant”

Read here about how Rauner’s cuts will impact the state: http://wgntv.com/2015/06/02/gov-rauner-prepares-closures-spending-cuts-if-no-budget-okd/

2. With this new climate in Illinois, have you been impacted in other ways by this cut to arts funding?

As I mentioned above, the state has slowly been pulling funds from the Illinois Arts Council this year and I started noticing it when the laborious grants I worked on were responded to by a three sentence email stating the funds had run dry. I will be applying for funds elsewhere now, such as through Artadia, a non-profit that awards unrestricted amounts ranging from $5K - $20K in the cities of Atlanta, Boston, Chicago, Houston, New York, San Francisco, and Los Angeles. 

Through this whole process, I am still very up in spirit. I am taking everything as it comes. I see this as an opportunity to talk about what is happening, why and how we can take a stand for ourselves and for our artists! As for the work coming down, look - I’ve created an amazing body of work, and sold over half the series to private collectors. In the meantime if the state cannot provide, or refuses to provide, we have to seek alternate means, while still making ourselves heard!

I offer simple solutions:

  • Inform ourselves.

  • Stop saying “Our hands are tied.”

  • Raise our voices. This means using constructive means, like petitions and writing, sharing information, or creating work expressing our opinions.

  • Find permanent solutions, rather than temporary ones.

  • Hold art to the highest esteem. This is our cultural foundation!

John Lustig, the director of the Lockport Illinois State Museum, and who I have been working with for the past two years has met with the mayor of Lockport just this week. The mayor is a fan of my work and says “Julia still has her date of July 31st. The band is booked.” I don’t know what this means just yet since the work is coming down... but this could be an opportunity for something different, something right in the vein of what I’ve always done, something a bit wild.... So YES - there is still a party date on July 31st. And I really hope to see you there..... TBD!!!!!!

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Thank you Julia for your critical perspective on this troubling threat to cultural institutions in Illinois. So please consider signing the petition against the closure of the Illinois State Museums.

Sign it here: http://petitions.moveon.org/sign/governor-rauner-dont
Check out Julia Haw’s work (including her exhibition threatened by the closure) here: http://www.juliahaw.com/

The Western Veil